Kaylee: Morning, you two.
Inara: Don’t usually see you two out and about planet-side.
Simon: Yeah, we’re… we’re trying something different today. River, be careful with that… that’s, um… What is that?
Kaylee: It’s a post-holer. You dig holes. For posts.
Simon: It’s, uh, it’s dirty. And sharp. Let’s come over here.
Firefly — Episode 5 — “Safe”
Kirk: Well, there it is. War. We didn’t want it, but we’ve got it.
Spock: Curious how often you humans manage to obtain that which you do not want.
Star Trek – Season 1: Episode 27 – “Errand of Mercy”
Xander: I’m good. We’re fine. Just a little bit dirty. Good show, everyone. Just great. I think we have a hit.
Willow: Are you okay?
Xander: Tip-top, really. If anyone sees my spine laying around, just try not to step on it.
Buffy: Xander, one of these days, you’re gonna get yourself hurt.
Faith: Or killed.
Buffy: Or both. And, you know, with the pain and the death, maybe you shouldn’t be leaping into the fray like that. Maybe you should be… fray-adjacent.
Xander: Excuse me? Who, at a crucial moment, distracted the lead demon by allowing her to pummel him about the head?
Faith: Yeah. That was real manly how you shrieked and all.
Xander: I think you’ll find that was more of a bellow.
Buffy the Vampire Slayer — Season 3: Episode 13 — “The Zeppo”
‘In this bucket,’ said Stephen, walking into the cabin, ‘in this small half-bucket, now, I have the population of Dublin, London and Paris combined: these animalculae – what is the matter with the sloth?’ It was curled on Jack’s knee, breathing heavily: its bowl and Jack’s glass stood empty on the table. Stephen picked it up, peered into its affable, bleary face, shook it, and hug it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.
Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, ‘Jack, you have debauched my sloth.’
On the other side of the cabin-bulkheads Mr Atkins said to Mr Stanhope, ‘High words between the Captain and the Doctor, sir. Hoo, hoo! Pretty strong – he pitches it pretty strong: I wonder a man of spirit can stomach it. I should give him a thrashing directly.’
Mr Stanhope had no notion of listening behind bulkheads, and he did not reply; but he could not prevent himself from catching isolated sentiments, such as ‘ . . . paresseux . . . va donc, eh, salope . . . espèce de fripouille’, for the dialogue had switched to French on the entrance of the wooden-faced Killick.
HMS Surprise – Patrick O’Brian
Inara: Does it seem every supply store on every border planet has the same five rag dolls and the same wood carvings of… what is this? A duck?
Kaylee: That’s a swan… I like it.
Inara: You do?
Kaylee: Looks like it was made with, you know, longing. Made by a person really longed to see a swan.
Inara: Perhaps because they’d only heard of them by rough description.
Firefly — Episode 5 — “Safe”
Spock: Curious. What Chief Vanderberg said about the Horta is exactly what the Mother Horta said to me. She found humanoid appearance revolting, but she thought she could get used to it.
McCoy: Oh, she did, did she? Now tell me, did she happen to make any comment about those ears?
Spock: Not specifically, but I did get the distinct impression she found them the most attractive human characteristic of all. I didn’t have the heart to tell her that only I have…
Kirk: She really liked those ears?
Spock: Captain, the Horta is a remarkably intelligent and sensitive creature, with impeccable taste.
Kirk: Because she approved of you?
Spock: Really, Captain, my modesty…
Kirk: Does not bear close examination, Mister Spock. I suspect you’re becoming more and more human all the time.
Spock: Captain, I see no reason to stand here and be insulted.
Star Trek — Season 1: Episode 26 — “The Devil in the Dark”
The Jungle Book was always going to be one of the more difficult stops on the live action Disney remakes train. Alice in Wonderland was always ripe for a remake, and Disney went the smart route giving it to a visionary director like Tim Burton to create something unique. Maleficent took one of the most gorgeous but least interesting of the classic Disney animated films and gave us an entirely different take on the story, ditching what was familiar in order to try to replicate the popularity of Wicked. And Cinderella became a lavish spectacle, gorgeously constructed and faithful to the original but updated to give its heroine strength and an emotional core that helped her feel relevant again. I’ve enjoyed all of these live action remakes thus far, though to varying degrees, in spite of not being entirely on board with this latest movement from Disney, but I had some serious concerns about The Jungle Book. The 1967 animated version, Walt Disney’s final film, has a special place in the heart of Disney fans, but it’s also know for taking the most liberties with its source material, diverting wildly from Rudyard Kipling’s text and striking out on its own path. Would a modern version be able to find a compromise between capturing the spirit of the book and honoring a Disney legacy that should not be ignored? The answer is largely yes. This new version of The Jungle Book is a visual marvel with some of the most stunning imagery and impressive effects I’ve ever seen, one that generally manages to find a balance between widely different interpretations of the same story, anchored by a stampede of strong performances from both humans and animals alike.
Buffy: Willow, you okay?
Willow: Yeah, I’m fine. Th-the shaking is, is a side effect of the fear.
Giles: Thank you.
Buffy: Well, if it wasn’t for that clouding spell…
Willow: Yeah, it went good! Nothing melted like last time!
Buffy the Vampire Slayer — Season 3: Episode 13 — “The Zeppo”
The Love Pirate 