What’s your favorite comic book superhero film?

In my review of Man of Steel, I talked a bit about the modern phases of comic book superhero movies that began with 1978’s Superman.  I’ve enjoyed some of these phases more than others (I’m not a fan of Nolan’s style), but they’ve all produced good films and bad.  So I thought I’d come up with a list from best to worst of the comic book superhero movies of the modern era.  I kept the list limited to my arbitrarily chosen “major” superheroes, so you won’t see things like Blade or Hellboy on the list (though I love Hellboy).  I’m also not including more indie comic book films, like The Rocketeer or Scott Pilgrim vs. The World, both of which I love.  I tried to just use the films people were most likely to have seen.  (Note: Green Lantern is not included because I actually never saw it.)

Lists are great for discussion, so let me know what you think!  (In other words… BRING IT ON!!! I can’t wait to hear people challenging where I have the Batman Begins saga or Man of Steel.)  If there’s anything obvious that I left off, let me know.  And then vote below as to what is your favorite comic book superhero movie (you can fill in your own choices).  Continue reading

Not Exactly a Review: The Amazing Spider-Man

Much as was the case with The Cabin in the Woods, I missed The Amazing Spider-Man when it was released in theaters last year.  There are a bunch of possible reasons for this, but the most obvious was that it just felt too soon to reboot the Spider-Man story.  Sam Raimi’s trilogy had only ended 5 years ago, and the first movie was only 5 years before that, and I just felt that if they weren’t continuing the story that they’d be better off leaving Spider-Man alone for a while.  However, over the weekend I watched it (thanks to a free weekend of HBO) and I generally enjoyed it.  While it’s too far removed from the film’s release to give it a full review (though I’d generally give it a B+), I thought I’d do another “Not Exactly a Review” filled with my disorganized thoughts.

I’ve always believed that films should be appreciated on their own merits, and that it’s unfair to judge a film either positively based on the reflected glow of other films (The Dark Knight Rises benefitting from the praise for The Dark Knight) or negatively simply because it is being compared to something universally loved.  However, it is fair, and in this case unavoidable, to compare this film with the Raimi trilogy, given the close time frame and wide appeal of the previous films.  The Amazing Spider-Man tries to blaze its own trail, succeeding in some ways and failing in others. Continue reading

Friday Favorites: Favorite Scene – Pirates of the Caribbean: At World’s End

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.

Today’s Friday Favorite, from the final film of the trilogy, is one that I actually spent a long time discussing in part 1 of my Pirates of the Caribbean analysis.  As the final battle approaches, Elizabeth, Barbossa and Jack head to parley with Beckett and Davy Jones (with Will alongside, having lead the East India Company fleet to Shipwreck Cove).  Watch the scene below (in two parts, of varying quality, sorry) and then read on for my analysis: Continue reading

Why I (Probably) Won’t See After Earth

After Earth seemingly has a lot of things going for it that would get me to buy a ticket.  I love science fiction, in particular post-apocalyptic stories (which is why I continued watching Revolution, despite the downturn in quality).  I’m a big fan of Will Smith; I had a poster of him from Independence Day on my wall when I was young, I still think Men in Black is one of the funniest movies I’ve ever seen, and his performance in Ali is spectacular.  I’m also a big M. Night Shyamalan fan, even enjoying Lady in the Water and The Village.  And while I was more enthusiastic about Oblivion than I was about After Earth, I still planned on seeing both.

At this point, though, I think it’s safe to say that I no longer have any enthusiasm to see it.  That’s not to say that I won’t.   Continue reading

Update: Star Trek Into Darkness Writer Apologizes

In my previous posts about Star Trek Into Darkness (read the review here, and the analysis here), one of the things I complained about was the gratuitous scene whose only purpose was to showcase Alice Eve in her underwear.  The writer of Star Trek Into Darkness, Damon Lindelof, just issued a series of tweets apologizing to fans for the scene.  Read on for the image in question and Lindelof’s apology. Continue reading

Analysis: Star Trek Into Darkness

This is my analysis of Star Trek Into Darkness.  Click here to read my spoiler-free review of the film.

I’ve documented my dislike for 2009’s Star Trek in a couple of places.  But to understand my more in-depth opinions on Star Trek Into Darkness I feel like I should summarize my general feelings about this “reboot;” feelings which carry over into this new film.  The gist of it is this: I wish that they had not chosen to use the time travel/alternate universe story telling device.

They really had three options if they wanted to do a story based on a young Kirk and his crew.  The first option was to simply do a prequel film, set within the timeline and beholden to everything we’d already seen in the various incarnations of Star Trek.  I can completely understand why they chose not to do this.  It would be very restrictive, with 10 films and 28 seasons of television that their prequels would have to respect and fit into.  It would be a chore simply to ensure accuracy, much less to write an enjoyable film within those rules.  And while many fans would surely have loved to see the Kirk that we love in Starfleet Academy, it’s probably for the best that they chose not to go this route.

The best option, in my opinion, would have been to opt for a complete reboot. Continue reading

A Few Words About Piracy

No, not this kind of piracy.

No, not this kind of piracy.

For those not familiar with WordPress, the site tracks a variety of stats for my blog, including what search terms led people here.  After a few months on WordPress, I’ve realized that having the word “Pirate” in my movie-related blog title leads some people here who might be searching for pirated movies.  I get a lot of searches like “iron man 3 pirate” or “life of pi from the pirate way,” presumably a misspelling of The Pirate Bay, the popular torrent site.  (I also randomly get people who click over to my Tomb Raider videogame review, looking for a walkthrough of the pirate ship section of the game.  To those people I apologize, and recommend they check IGN.)  So with the number of people who come looking for pirated movies, I feel like I should tell you: I am strongly opposed to media piracy.

I know many people who regularly pirate movies and tv shows. Continue reading

What’s your favorite movie?

If I were to ask you to name your favorite movie, would that be easy for you to do?  I feel like for the general populace, the answer is either easy, or “I don’t know.”  But for a film buff the answer becomes a lot more difficult.  At least, it does for me.  I tend to change my answer depending on a number of factors, including the identity of the questioner, the way the question was phrased, and who the audience is.  Here are some of my favorites, and why I will sometimes give them as my “favorite movie.”

If I’m in a situation where I’m being completely honest, my answer is usually that Hook is my favorite film.  It’s my de facto favorite movie, as it were.  It’s the movie that means the most to me, and that I connect with in a way that surpasses all others.  I think it’s a brilliant and remarkable movie, with some of the best sets ever created for the screen.  I could (and probably will) write an essay about Hook’s brilliance, but I’ll save that for another time.  I feel like Hook has been unfairly maligned through the years (it has a 29% on Rotten Tomatoes), though it does have a cult following.  Even Spielberg has said critical things of it.  I’m pretty defensive when it comes to Hook, because it does mean so much to me, so I often will name something else if I feel like there’s going to be an argument about it.  On the other hand, I like defying expectations, and for a film buff to pick a critical flop from the 90’s as his favorite film often surprises people.  I give this answer a lot when people who know that I’m a film buff ask me the question.  But it is, in fact, my favorite film, even if it’s not always my answer. Continue reading

Analysis: My Dinner with Andre

*Author’s Note:  This is a rather long essay about a movie most people have never seen.  It’s more my unfiltered and unedited stream-of-consciousness analysis than it is a well-researched piece of film criticism.  The movie has lots of interesting things to say, and it’s worth a watch.  You can also read a transcript of it here.

The first time I watched My Dinner with Andre, at the recommendation of my father, I fell asleep five minutes in and slept for the entire film.  The film is often known as “that movie where two guys sit and talk for two hours,” which is both 100% accurate and entirely misleading.  The second time I watched it, again with my father, I was completely spellbound, and it has since been one of my favorites.  My Dinner with Andre is one of those movies where you get out of it as much as you’re willing to put into it, much like any good conversation, and these are my thoughts on it.  (Spoiler alert for a 30 year old movie?) Continue reading

Friday Favorites: Favorite Scene – Star Trek II: The Wrath of Khan

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.

In this week’s “Trailer Tuesday” for Star Trek Into Darkness I talked about how, as a Trekkie, I’m not a fan of 2009’s Star Trek.  In particular I hated its depiction of Kirk’s Kobayashi Maru test, so today I thought I’d highlight my favorite scene from Star Trek II: The Wrath of Khan, where a middle-aged Kirk describes his solution to the test.

Wrath of Khan opens with Lt Saavik (Kirstie Alley) commanding the Enterprise when it receives a distress call from the Neutral Zone from the stranded freighter, Kobayashi Maru.  Saavik violates the Neutral Zone to rescue the ship, but the Enterprise is attacked and defeated by Klingon Battle Cruisers and Admiral Kirk emerges to tell Saavik she is dead.  He explains that the test is designed to be unwinnable in order to study how potential captains face death and a no-win scenario.

She repeatedly asks Kirk how he handled the test when he was in Starfleet, and each time he evades the question.  Eventually Kirk, McCoy, Saavik, Chekhov, Kirk’s son and his former lover are all trapped in an experimental cave deep within a moon, the Enterprise having abandoned them on Kirk’s orders.  Saavik asks Kirk again about his test, and here is his reply: Continue reading