The Oscar nominations will be announced tomorrow morning, and while I try every year to predict the winners I won’t even attempt to try to guess the nominees. However, I do have some things I would like to see when the nominations are announced tomorrow. I’ve divided these into two categories: actual, genuine “Possibilities” and “Not a Chance”. I may be hopeful, but I try to keep things at least moderately realistic. I’ve left out some of the more obvious ones, like Gravity for Best Picture, Director, Actress and all of the technical categories, simply because I think that they’re foregone conclusions and I’m not really sweating them. Come back later tomorrow after the nominations have been announced (and I’ve gotten home and can actually write about them) for some quick thoughts on who made the cut and who was left out. In the meantime, read on for the names and films I would like to hear Chris Hemsworth read outtomorrow. Continue reading
I suppose this review should actually be titled “Review: Lee Daniels’ The Butler”, because of a silly dispute with Warner Bros. which required them to turn the simplistic title of The Butler into something that sounds vaguely ridiculous. But title disagreements aside, The Butler is an interesting amalgam of a film, which works as a whole even when some parts don’t hold up as well as they should. It’s one part biopic, one part fiction, with a healthy serving of Forrest Gump along with a good deal of racial politics. It has an immensely impressive cast and a solid balance between the family drama at the heart of the film and the somewhat gimmicky side of the story. Plus, it’s one that’s destined to tug at the heartstrings.
The Butler tells the story of Cecil Gaines (Forest Whitaker), who began life as a boy picking cotton on a Georgia plantation in the 1920s and ends up as a butler in the White House. Continue reading