Review: Now You See Me

Now You See Me is a bit of an oddity.  It’s a movie about magic that’s not really about magic; it’s a heist movie where we never see the heists being planned.  These days I’m always on the lookout for something unique, whether it’s a story, a character, a film style, a setting, or anything else.  Now You See Me fits the bill, on several levels, and even if it’s not exceptionally deep it’s a lot of fun and a hell of a ride.

Now You See Me follows four struggling magicians as they team up to create a never-before-seen act. Continue reading

Friday Favorites: Favorite Character – Juno

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.

Juno is, for me, a near perfect movie.  It owes a lot of its success to a clever script by Diablo Cody and great direction by Jason Reitman, but the bulk of its magnificence rests on the shoulders of its cast.  Ellen Page is Juno, and all of the supporting cast (Michael Cera, J.K. Simmons, Allison Janney and Jason Bateman, just for starters) give heartfelt and genuine performances that are simultaneously hilarious.  But one character that I feel has always gotten a bad rap is Jennifer Garner’s Vanessa.

I’ve had several conversations about Juno with people I know.  Some of them love the movie, some hate it, but one of the surprising things that I hear often enough to bother me is that people hate Vanessa. Continue reading

Trailer Tuesday: Thor: The Dark World

Welcome to “Trailer Tuesday” where I talk about trailers for upcoming movies, since I’ve always found them to be endlessly fascinating.

The trailer for Thor: The Dark World, aka Thor 2, was released recently.  It’s due out November 8th.  Take a look at the trailer and read on for my thoughts.

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Review: Epic

Epic is almost exactly what you would expect from the trailers.  In many ways, it’s a ripoff of Ferngully, minus the obvious environmental message (one of Ferngully‘s most endearing attributes).  It varyingly hints at or downright copies elements from that movie, from characters, to story, to design.  It also borrows from a slew of other films, including Arthur and the Minimoys, Honey, I Shrunk the Kids, The Spiderwick Chronicles and Happy Feet.  I knew all of this going into the theater, and had already begun to write my review in my head when something unexpected happened.  Epic won me over.

I’m not entirely sure when or how it happened, all I know is by the final act I was genuinely enjoying myself. Continue reading

Friday Favorites: Favorite Shot – Star Trek IV: The Voyage Home

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.

Star Trek IV: The Voyage Home is a bit of an oddity.  It’s the third film in a trilogy of sorts, one that started with The Wrath of Khan and continued with The Search for Spock.  It has none of the hallmarks of any other Star Trek movie: there are no space battles, no action to speak of, no Enterprise, and almost none of the film takes place among the stars at all.  The Voyage Home is half fish-out-of-water comedy and half environmental sermon, and it’s the latter half that’s so remarkable.  In fact, it can be summed up by just one shot, my favorite in the film:

The Voyage Home was a bold move for Star Trek.   Continue reading

Trailer Tuesday: Riddick

Welcome to “Trailer Tuesday” where I talk about trailers for upcoming movies, since I’ve always found them to be endlessly fascinating.

It’s been 13 years since Pitch Black first introduced us to Riddick, and 9 years since The Chronicles of Riddick expanded his mythology while dulling him down a bit, and now he’s back in the simply titled Riddick, due out on September 6th.  Take a look at the trailer, and read on for my thoughts:

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Update: Star Trek Into Darkness Writer Apologizes

In my previous posts about Star Trek Into Darkness (read the review here, and the analysis here), one of the things I complained about was the gratuitous scene whose only purpose was to showcase Alice Eve in her underwear.  The writer of Star Trek Into Darkness, Damon Lindelof, just issued a series of tweets apologizing to fans for the scene.  Read on for the image in question and Lindelof’s apology. Continue reading

Analysis: Star Trek Into Darkness

This is my analysis of Star Trek Into Darkness.  Click here to read my spoiler-free review of the film.

I’ve documented my dislike for 2009’s Star Trek in a couple of places.  But to understand my more in-depth opinions on Star Trek Into Darkness I feel like I should summarize my general feelings about this “reboot;” feelings which carry over into this new film.  The gist of it is this: I wish that they had not chosen to use the time travel/alternate universe story telling device.

They really had three options if they wanted to do a story based on a young Kirk and his crew.  The first option was to simply do a prequel film, set within the timeline and beholden to everything we’d already seen in the various incarnations of Star Trek.  I can completely understand why they chose not to do this.  It would be very restrictive, with 10 films and 28 seasons of television that their prequels would have to respect and fit into.  It would be a chore simply to ensure accuracy, much less to write an enjoyable film within those rules.  And while many fans would surely have loved to see the Kirk that we love in Starfleet Academy, it’s probably for the best that they chose not to go this route.

The best option, in my opinion, would have been to opt for a complete reboot. Continue reading

Review: Star Trek Into Darkness

As I’ve said in previous blog entries, I’m a die hard Star Trek fan, but I’m going to do my best to write this review as a neutral outsider (the spoiler filled analysis, on the other hand, is fair game for my inner Trekkie/Trekker).

Star Trek Into Darkness picks up a short time after the events of 2009’s Star Trek.  Kirk (Chris Pine), Spock (Zachary Quinto) and the rest of the crew are still on the Enterprise, and we first meet them as a mission involving the primitive inhabitants of a planet goes spectacularly awry.  It’s a fun sequence, which was heavily shown in the trailers, and we get a sense of the way in which the crew has bonded since that first intense mission that drew them together.  The cast shines early and often in this sequel, and is by far the film’s highest strength.  The (often frustrated) interplay between the crew is consistently funny and heartfelt, and goes a long way towards convincing us of the bonds they share. Continue reading