Tag Archives: Disney

Review: Frozen

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True love, princesses, magic, funny animal sidekicks and fantastic music.  These are the ingredients we expect from a film like Frozen, and it delivers on all of them.  But Frozen is different than anything we’ve seen in the genre from Disney before.  Inspired by the Hans Christian Anderson story, The Snow Queen, it’s fun, funny, emotional and romantic, but it’s also deeper, more interesting and more complex than what we’re used to seeing.  From its top notch cast, to its gorgeous visuals, its outstanding music and its empowering message, Frozen is a must-see for everyone.

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Quote of the Day

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Anna: Don’t know if I’m elated or gassy
But I’m somewhere in that zone..,

Frozen – “For the First Time in Forever”

What if there was a Best Voice Performance Oscar? – 2000

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(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards.  Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)

Following what many considered to be a huge upset at the 72nd Academy Awards, at which Vin Diesel beat out Tom Hanks for the Best Voice Performance Oscar, the category gained a reputation for being one of the most unpredictable of the Academy Awards.  Since its inception the award occasionally went to the obvious frontrunner, but just as often to a different, more unusual performance, making for interesting viewing but frustrating the odds-makers.  The slate of animated films for 2000 offered up no clear smash hits, making prediction even murkier. Continue reading →

What if there was a Best Voice Performance Oscar? – 1999

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(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards.  Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)

After the return of Pixar turned out to be a bit of a disappointment at the 71st Academy Awards, eyes turned to 1999, and the hotly anticipated Toy Story 2.  When it was announced that the original cast would be returning for the sequel, people immediately began speculating that the Oscars might see a rematch of the most exciting duel that the category saw.  No one could forget the competition between Tom Hanks and Tim Allen, and the possibility that both might score nominations drove all other predictions to the sidelines. Continue reading →

Trailer Tuesday: Maleficent

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Welcome to “Trailer Tuesday” where I talk about trailers for upcoming movies, since I’ve always found trailers to be endlessly fascinating.

Recently we got a look at the first teaser trailer for Maleficent, starring Angelina Jolie and directed by Robert Stromberg.  The film is a semi-remake, sort of prequel to Sleeping Beauty, focusing on the evil fairy of the title.  We got our first information about the film back at D23, but this is our first real taste of the film.  Take a look below and read on for my comments:

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What if there was a Best Voice Performance Oscar? – 1998

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(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards.  Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)

Fresh off another controversy at the 70th Academy Awards regarding original vs dubbed voice performances, movie fans looked to the films of 1998 to bring some stability back to the category.  1998 would turn out to be a solid year for animation, including the return of Pixar to the big screen, a solid entry from Disney, a wider variety of studios producing animated films and some strong competition between two movies with similar settings.

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What if there was a Best Voice Performance Oscar? – 1997

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(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards.  Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)

Following the general confusion of the 69th Academy Awards, no one knew what to expect for 1997.  Pixar had yet to reassert itself following the success of Toy Story, but the slate of feature length animation for the year was considered to be much stronger than that of 1996.  What was not anticipated was the new controversy that was about to crop up.
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What if there was a Best Voice Performance Oscar? – 1996

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(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards.  Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)

There was a lot of excitement to see what 1996 would hold, given the huge success of the 68th Academy Awards.  Toy Story had energized the industry, and while Pixar’s next film was still several years away people remained hopeful for a battle for the Best Voice Performance Oscar that matched the one between Tom Hanks and Tim Allen.  When no clear frontrunners emerged, talk about the award started to die down, and industry analysts marked the category as one to ignore this year.  They were wrong, because when the nominations were announced the category was one again at the forefront of conversation.  However, instead of excitement the overwhelming tone of the discussion was one of confusion. Continue reading →

What if there was a Best Voice Performance Oscar? – 1995

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(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards.  Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)

When Jeremy Irons won the award at the 67th Academy Awards, the general consensus was that the category had finally produced a winner that represented the dramatic performance quality that the award had been created in order to recognize.  There was still some grumbling over the fact that the nominees were largely dominated by one film, but The Lion King had been so impressive that it was hard for people to complain too much about any of the individual nominees.  Disney was set to release another animated film in 1995, Pocahontas, based on a time period and series of events ripe for drama, and featuring the voice of Mel Gibson, who would go on to have a huge year with Braveheart.  But what no one could have predicted was Toy Story and the emergence of Pixar. Continue reading →

Trailer Tuesday: Frozen

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Welcome to “Trailer Tuesday” where I talk about trailers for upcoming movies.

We’ve been given a third trailer for Frozen, at the end of which all fans of musicals shout, “Hallelujah.”  Or, maybe we sing “Hallelujah,” since we’re talking about music.  Feel free to choose your favorite musical instance of the word, whether it’s Leonard Cohen’s “Hallelujah” or Handel’s “Hallelujah” Chorus.  But regardless of your chosen form of angelic singing, celebration is in order because Disney is finally marketing Frozen as a musical.  Before I get too far ahead of myself, take a look below at the new trailer, which features many scenes we’ve seen before but is also full of new goodies:

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