What if there was a Best Voice Performance Oscar? – 1994

(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards.  Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)

After a disappointing slate of nominees at the 66th Academy Awards, the speculation was that another year of mediocre nominees would doom the category once and for all.  Fortunately, there was a savior on the horizon, in the form of another big release from Disney, The Lion King.  It was even speculated that the film could take all five of the nomination slots, given the strength of its casting, its popularity and yet another dearth of competition.  Even if The Lion King ended up with all of the nominations, it was already predicted that the film’s mere presence would be enough to grant the category a stay of execution for at least another year. Continue reading →

Friday Favorites: Favorite Songwriting – Beauty and the Beast

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.

I’ve seen Beauty and the Beast more times than I could possibly remember, and have listened to the soundtrack even more frequently.  It’s one of my favorite song scores for film, particularly as its structure and styling is very reminiscent of traditional Broadway musicals, filled with reprises and cast cues that feel very familiar to those on the stage.  (It also helps that the songs for the film were largely recorded live with the orchestra, helping it to feel more like a Broadway cast album rather than a studio recording.)  Perhaps that’s one of the reasons its stage version was so successful.  However, until just this week I had never picked up on one of the most clever aspects of the song score.

During the opening number, “Belle”, we’re introduced to the film’s protagonist, who is viewed by the villagers as too dreamy and bookish for their tastes despite her beauty.  Continue reading →

What if there was a Best Voice Performance Oscar? – 1993

(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards.  Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)

Following Robin Williams’ win of the first ever Best Voice Performance Oscar for his role as The Genie inAladdin, industry experts began looking ahead at 1993’s slate of animated films, trying to anticipate who the next winner might be.  Both the experts and the Academy were more than a little dismayed to find that not only was Disney not releasing a classically styled animated films along the lines of Beauty and the Beastand Aladdin, but that there were very few animated films lined up for the year at all.  There were calls from opponents to drop the category entirely, while even some supporters of the award thought it might be best to hold the award back and only bring it out on years with better prospects.  Nevertheless, the Academy decided to press on with the award as an accepted part of the ceremony, not knowing exactly what the nominations would bring. Continue reading →

What if there was a Best Voice Performance Oscar? – 1992

Beauty and the Beast was nominated for Best Picture at the 64th Academy Awards, in a moment that changed the face of the animated film landscape forever.  It signaled that the Disney Renaissance that began two years earlier with The Little Mermaid (or perhaps even earlier with Oliver & Company) was not just a fluke and was destined to continue on.  It showed that animation is just as important as other types of film, and that they could be just as artistic and meaningful.  And while it eventually lost to The Silence of the Lambs, it still stood as the moment when animation as an industry and a media announced itself as an equal to the rest of Hollywood.  And while it was a number of years before feature length animation received its own category in the awards (2001) and even longer before another animated film would be nominated for best picture (2009’s Up), the fact that animated films are now consistently among the highest grossing films each year and are often the most popular and longest lived of new releases owes a lot to Beauty and the Beast.

But what if Beauty and the Beast had done even more for animation?  Continue reading →

Quote of the Day

The Muppets

Neil Patrick Harris: No, I… I don’t know why I’m not hosting this.

Trailer Tuesday: Frozen

Welcome to “Trailer Tuesday” where I talk about trailers for upcoming movies.

We have a new trailer for Frozen, which gives us a much bigger look at the film than we got from the teaser trailer from a few months ago.  The question, however, is whether this bigger look is an accurate representation of the final film.  Take a look below and read on for my comments:

Continue reading →

Quote of the Day

The Muppets

Miss Piggy: All right, listen up you freaks!

Quote of the Day

The Muppets

Lew: We all agreed: a celebrity is not a people!

Recap: Agents of S.H.I.E.L.D. – “Pilot”

When Marvel and Disney decided to combine the Marvel Cinematic Universe with cult favorite writer/director Joss Whedon (Buffy the Vampire Slayer, Angel, Firefly, Dollhouse, Dr. Horrible’s Sing-Along Blog), the result was The Avengers, the 3rd-highest grossing movie of all time.  When you combine that film with the rest of the MCU, including the Iron Man series, Thor and Captain America and their upcoming sequels, it’s an obvious choice for Disney/Marvel to want to expand the empire that has brought them such commercial and critical success.  And who better to give the reins to their new TV series to than Joss and his team, which in this case includes his brother and sister-in-law, Jed Whedon and Maurissa Tancharoen (also known as J-Mo)?  The result is the awkwardly titled Marvel’s Agents of S.H.I.E.L.D., which I will from here on refer to as something that’s easier to type.  SHIELD is not the story of the superheroes that get their own films but of the government agents who are forced to deal with them “to protect the ordinary from the extraordinary”, people who have no superpowers of their own yet who are constantly in contact with those who do.  And who better to anchor that story than Agent Phil Coulson, who was stabbed through the chest by villain Loki during the events of The Avengers and presumed dead?  But instead of getting ahead of myself, why don’t we just jump into tonight’s episode, boringly titled: “Pilot”.

Continue reading →

Quote of the Day

The Muppets

Walter: But Kermit, you have to try! The Muppets are amazing! You give people the greatest gift that can ever be given!

Kermit the Frog: Children?

Walter: No, the other gift.

Kermit the Frog: Ice cream?

Walter: No, no, after that…

Kermit the Frog: Laughter?

Walter: Yes! The third greatest gift ever!