(This was movie #4 of my 4 movie marathon day.)
How do I become friends with Joss Whedon? If this is how he spends his vacations, filming Shakespeare adaptations at his absolutely stunning house with a troupe of enormously talented actors and friends, then sign me up. Much Ado About Nothing is damn near perfect, the melding of two brilliant minds across 400 years. It’s clear that both Joss and his cast have a deep understanding both of the subject matter and the Shakespearean dialogue, and I hope we get to see a lot more of this sort of thing from him, once The Avengers 2 is done filming.
Much Ado About Nothing tells the story of two romances that take place as a prince comes to stay with a local governor. Continue reading






Epic is almost exactly what you would expect from the trailers. In many ways, it’s a ripoff of Ferngully, minus the obvious environmental message (one of Ferngully‘s most endearing attributes). It varyingly hints at or downright copies elements from that movie, from characters, to story, to design. It also borrows from a slew of other films, including Arthur and the Minimoys, Honey, I Shrunk the Kids, The Spiderwick Chronicles and Happy Feet. I knew all of this going into the theater, and had already begun to write my review in my head when something unexpected happened. Epic won me over.
I feel like most people’s ability to enjoy The Great Gatsby will depend on how they respond to Baz Luhrmann’s style as a director. In the interest of full disclosure I should say that I’m a huge Luhrmann fan (I even loved Australia), and I think he was the perfect choice to direct the first truly great adaptation of The Great Gatsby. He manages to capture the feeling of the book and to make the story compelling in a way that the last attempt at adapting the book, in 1974, failed to do, despite its stellar cast.