This is my analysis of Star Trek Into Darkness. Click here to read my spoiler-free review of the film.
I’ve documented my dislike for 2009’s Star Trek in a couple of places. But to understand my more in-depth opinions on Star Trek Into Darkness I feel like I should summarize my general feelings about this “reboot;” feelings which carry over into this new film. The gist of it is this: I wish that they had not chosen to use the time travel/alternate universe story telling device.
They really had three options if they wanted to do a story based on a young Kirk and his crew. The first option was to simply do a prequel film, set within the timeline and beholden to everything we’d already seen in the various incarnations of Star Trek. I can completely understand why they chose not to do this. It would be very restrictive, with 10 films and 28 seasons of television that their prequels would have to respect and fit into. It would be a chore simply to ensure accuracy, much less to write an enjoyable film within those rules. And while many fans would surely have loved to see the Kirk that we love in Starfleet Academy, it’s probably for the best that they chose not to go this route.
The best option, in my opinion, would have been to opt for a complete reboot. Continue reading


If I’m in a situation where I’m being completely honest, my answer is usually that Hook is my favorite film. It’s my de facto favorite movie, as it were. It’s the movie that means the most to me, and that I connect with in a way that surpasses all others. I think it’s a brilliant and remarkable movie, with some of the best sets ever created for the screen. I could (and probably will) write an essay about Hook’s brilliance, but I’ll save that for another time. I feel like Hook has been unfairly maligned through the years (it has a 29% on Rotten Tomatoes), though it does have a cult following. Even Spielberg has said critical things of it. I’m pretty defensive when it comes to Hook, because it does mean so much to me, so I often will name something else if I feel like there’s going to be an argument about it. On the other hand, I like defying expectations, and for a film buff to pick a critical flop from the 90’s as his favorite film often surprises people. I give this answer a lot when people who know that I’m a film buff ask me the question. But it is, in fact, my favorite film, even if it’s not always my answer. 
I feel like most people’s ability to enjoy The Great Gatsby will depend on how they respond to Baz Luhrmann’s style as a director. In the interest of full disclosure I should say that I’m a huge Luhrmann fan (I even loved Australia), and I think he was the perfect choice to direct the first truly great adaptation of The Great Gatsby. He manages to capture the feeling of the book and to make the story compelling in a way that the last attempt at adapting the book, in 1974, failed to do, despite its stellar cast.
