Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.
Whenever Halloween approaches, I always think of Beetlejuice. Maybe it’s because I dressed up as the title character one year for Halloween, or because the movie fits in with the season so well. And whenever I think of Beetlejuice, my mind immediately jumps to one particular scene. It’s the scene, for me, that perfectly captures the essence of the film’s spirit, despite the fact that features none of the 3 lead actors of the film. Take a look, and read on for my thoughts:
What scene did you think I was going to pick? Continue reading
Gravity, despite pulling aspects from a variety of familiar film styles, is a movie that feels unique, which is something with great appeal to me these days. It has much in common with Open Water, the 2003 film about a couple who are left behind while scuba diving, but it also borrows heavily from a variety of disaster movies where people are trapped or stranded and have to improvise a way to survive. And of course, it has a lot in common with Apollo 13, including the use of Ed Harris as the voice of mission control. (It even blatantly steals and idea from WALL-E and contains obvious references to Star Wars and Alien.) But its tone is drastically different from all of those films. Where those movies have a frantic aspect to them, with every moment devoted to the heroes solving the next problem or overcoming the next obstacle, Gravity has a peacefulness to it that sets it apart. And while there are moments of terror and suspense, the calm peaceful moments are what will stick with you after you’ve left the theater. 
Beauty and the Beast was nominated for Best Picture at the 64th Academy Awards, in a moment that changed the face of the animated film landscape forever. It signaled that the Disney Renaissance that began two years earlier with The Little Mermaid (or perhaps even earlier with Oliver & Company) was not just a fluke and was destined to continue on. It showed that animation is just as important as other types of film, and that they could be just as artistic and meaningful. And while it eventually lost to The Silence of the Lambs, it still stood as the moment when animation as an industry and a media announced itself as an equal to the rest of Hollywood. And while it was a number of years before feature length animation received its own category in the awards (2001) and even longer before another animated film would be nominated for best picture (2009’s Up), the fact that animated films are now consistently among the highest grossing films each year and are often the most popular and longest lived of new releases owes a lot to Beauty and the Beast.
Welcome to 
The Love Pirate 