Review/Analysis: Iron Man 3

Iron Man 3 opens with a flashback to 1999, narrated by Tony Stark.  It’s the eve of the new millennium, and Tony is partying with an attractive scientist who is interested in DNA modification as it relates to regeneration.  They have an elevator encounter with an enthusiastic scientist interested in recruiting Tony (and the woman) to his new company.  We’re told via Tony’s voice over that this is where it all started.

We then jump to modern day Tony Stark, struggling to deal with recent events.  Christmas is approaching, and Tony has been spending all of his time in the lab, hardly ever sleeping, working on perfecting a new suit of Iron Man armor that will fly to his body in pieces at just a thought.  He’s currently living with Pepper Potts, who is still running his company.  Tony hasn’t been sleeping because he’s still haunted by his near-suicide in the wormhole in New York during the events of The Avengers.

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Friday Favorites: Favorite Location – Dogma

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.  It could be a favorite character or casting choice, a favorite song or score, a favorite scene, line of dialogue, shot or simply a moment.  Anything is possible (costumes, sets, etc) and I’d love to hear your suggestions.  Note: Just because something appears here does not make it my absolute #1 favorite thing in that category, but it is simply “one of my favorites”.

Dogma is an interesting movie.  In fact, it’s a movie that feels like several different movies that don’t belong together wrapped into one.  One part tells the story of two familiar stoners who get caught up with the forces of heaven and hell, and is filled with sex and poop jokes of the lowest common denominator.  Another part is the ensemble comedy about a band of holy misfits trying to prevent the end of the world.  And the third part, the part that keeps me coming back to the film after 14 years, is an interesting drama about faith in the modern world, featuring two angels who were kicked out of heaven for showing mercy towards humanity, and their quest to get back to the place they belong without regard for the consequences.

My favorite scene in the film comes as these angels, Bartleby and Loki (Ben Affleck and Matt Damon), have encountered a setback.  They’ve been challenged by a heavenly host of misfits, including the 13th Apostle, the voice of God, the last descendent of Jesus’s family and the two stoners.  Take a look below and then read on for my thoughts (and turn your sound up to get the full effect):

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Friday Favorites: Favorite Moment – Indiana Jones and the Temple of Doom

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Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.  It could be a favorite character or casting choice, a favorite song or score, a favorite scene, line of dialogue, shot or simply a moment.  Anything is possible (costumes, sets, etc) and I’d love to hear your suggestions.  Note: Just because something appears here does not make it my absolute #1 favorite thing in that category, but it is simply “one of my favorites”.

I talk about “movie moments” a lot.  My definition of a moment is pretty amorphous, but it’s generally anything in a movie that makes a sharp impact.  It can sometimes stretch to an entire scene, and sometimes is as quick as a blink.  It can be a line of dialogue or a particular look, a bit of action, a single shot or something longer.  It’s almost impossible for me to define what I consider a moment without using the word “moment”.  It’s what makes your heart skip a beat, or that brings tears to your eyes or a sob to your throat, it brings you to your feet, makes you hide your face, causes you to burst into applause or just to laugh with abandon.  Movies are a string of moments, and everything between is providing context and connection between them.  They often occur at great moments of change, either to character or story, or as the culmination of a plot.  In a way, they’re tiny (in duration) climaxes to one section of story.  Some movies only have one moment and spend the entire film building to it, others have many; some are like a tsunami, others are barely a ripple.  Moments are the moments that stand out, that we remember, that are burned into our minds.

I have a personal connection to Indiana Jones and the Temple of Doom. Continue reading

Review/Analysis: The Croods

The Croods live in a cave.  That should be too surprising, considering that they are cave people.  But beyond just living in the cave, they define their entire lives by it.  The last surviving family of Neanderthals in the valley, the Croods spend almost all of their time in the cave, emerging only to hunt for food.  The cave has kept them safe, as have the rules implemented by Grug (Nicolas Cage), the father of the family.  Inside the cave live Grug and his wife, Grug’s mother-in-law and the three kids.  Eep (Emma Stone), the oldest child, hates the rules, the cave, and her family, and longs to explore new things, in contradiction to her father’s mantra, “New is always bad.  Never not be afraid.” Continue reading

Analysis: The Musical Climax

I love musicals, but I love musical climaxes even more.  No, not like that, get your mind out of the gutter!  I’ve always enjoyed movies that have either the climax of the story, or at least a major plot point, revolve around a musical number, particularly when it is unexpected.  I don’t mean in musicals, but in movies that otherwise have no musical numbers and are not about music.  In other words, not movies like Crazy Heart, Ray, or A Prairie Home Companion, all of which are in some way about music.

I also don’t mean scenes set to music, either as a montage or to set the mood for the scene, like in Rocky, The Breakfast Club or Cruel Intentions.  I’m not even talking about musical climaxes that are the obvious result of the plot, like in Dirty Dancing, Sister Act, or Little Miss Sunshine.  What I’m talking about are moments when characters in otherwise non-musical movies have some sort of musical performance/dance number/song that resolves their issues, expresses their feelings, or advances the plot in a way that’s unique compared to the rest of the film, and is often unexpected or completely surprising.  Here are some examples of what I mean: Continue reading

Friday Favorites: Favorite Idea – Star Trek: First Contact

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.  It could be a favorite character or casting choice, a favorite song or score, a favorite scene, line of dialogue, shot or simply a moment.  Anything is possible (costumes, sets, etc) and I’d love to hear your suggestions.  Note: Just because something appears here does not make it my absolute #1 favorite thing in that category, but it is simply “one of my favorites”.

Today is an important milestone in Star Trek lore; it is exactly 50 years before First Contact, the day on which humans will meet aliens for the first time.  So in honor of today’s significance (and inspired by my recent trip to one of the film’s locations), this Friday Favorite comes from Star Trek: First Contact, the film that shows us how those events will transpire, according to the Star Trek canon. Continue reading

Friday Favorites: Favorite Shot – High Noon

Hello, and welcome to my new weekly feature.  I’m calling it “Friday Favorites” and it will highlight some of my favorite movie-related things.  It could be a favorite character or casting choice, a favorite song or score, a favorite scene, line of dialogue, shot or simply a moment.  Anything is possible (costumes, sets, etc) and I’d love to hear your suggestions.  Note: Just because something appears here does not make it my absolute #1 favorite thing in that category, but it is simply “one of my favorites”.

1952’s High Noon, is widely considered one of the best of all Westerns. Continue reading

Analysis: Jurassic Park, Our Generation’s Star Wars

Before our recent IMAX 3D viewing of Oz the Great and Powerful we were treated to a preview for the 3D re-release of Jurassic Park on April 5th (coincidentally, exactly 50 years before First Contact between humans and Vulcans, according to Star Trek).  This preview was in the form of a 3 or 4 minute clip, slightly edited to make it “suitable for all audiences”, from the T. rex attack on the tour vehicles.  Despite the volume being at levels that could do permanent hearing damage, my biggest recurring complaint about our local IMAX screen, and my general negative feelings about 2D-3D converted films, as opposed to movies filmed with 3D cameras, the scene was still absolutely captivating.  And while I wish they would just re-release Jurassic Park in 2D IMAX like they did with Raiders of the Lost Ark, and even considering that I saw Jurassic Park on the big screen at our local 1920s Fox Theatre, I’m still now officially excited for April 5th.

I still have vivid memories of first seeing Jurassic Park, almost 20 years ago. Continue reading

Review/Analysis: Oz the Great and Powerful

Oz the Great and Powerful is a good film but not a great one, and is in fact fairly interesting, though not perhaps for the intended reasons.  It’s an unfortunate fact that any Wizard of Oz related story, particularly a prequel, is going to be compared to the musical, Wicked, and will most likely suffer from that comparison.  I went into Oz with an open mind, even if I had low expectations, and I came away having generally enjoyed it.  It’s neither as deep nor emotional as Wicked, but you shouldn’t expect it to be.  It’s fun and funny, and while it has its faults, I’d still recommend it, especially considering my larger impressions that I’ll get to in the analysis section after the review. Continue reading

Star Wars Prequels: A Good Foundation for the New Trilogy

I’ve never had a spot on the anti-Star Wars prequels bandwagon.  When The Phantom Menace came out in 1999, I was 14 and a huge Star Wars fan.  I was too young at the time to go to a midnight showing, so I had to wait all day to see the film that evening, and I could not sit still.  By the time the 20th Century Fox fanfare started playing, I was in tears, and stayed that way through most of the film.  I remember everyone in the theater enjoying it immensely, laughing and cheering throughout, and I saw it again two days later.  Needless to say, I’m a Star Wars fanboy, and while my 28 viewings of the Star Wars saga films in the theater are not anything close to a record, it’s safe to say that I was in no way disappointed by the prequels.

With the announcement that Disney and Lucasfilm will be making (at minimum) Episodes VII-IX, many people have found themselves revisiting that last Star Wars films that were released, giving the internet new justification for one of its favorite pastimes: prequel bashing.  Many of these have been presented as “Lessons J.J. Abrams Can Learn from the Prequels” containing a list of grievances against the film.  IGN recently featured an article of this type, and I want to address some of its complaints.  I’m going to do my best to set aside my fanboyism because I truly feel that Episodes I-III are great films, and have been unfairly maligned in the last 14 years.
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