I’m sure we were all saddened by the death of Bob Hoskins today at age 71. Hoskins would be a familiar face to most film fans, as he had many memorable roles and a distinct style and personality. For me, I’ll always remember him for role in my favorite film of all time, Hook, and also for his brilliant starring role in Who Framed Roger Rabbit. But there was a lot more to him than that, in his 40 years in film and television, including his award-winning and Oscar-nominated role in 1986’s Mona Lisa.
I love musicals, but I love musical climaxes even more. No, not like that, get your mind out of the gutter! I’ve always enjoyed movies that have either the climax of the story, or at least a major plot point, revolve around a musical number, particularly when it is unexpected. I don’t mean in musicals, but in movies that otherwise have no musical numbers and are not about music. In other words, not movies like Crazy Heart, Ray, or A Prairie Home Companion, all of which are in some way about music.
I also don’t mean scenes set to music, either as a montage or to set the mood for the scene, like in Rocky, The Breakfast Club or Cruel Intentions. I’m not even talking about musical climaxes that are the obvious result of the plot, like in Dirty Dancing, Sister Act, or Little Miss Sunshine. What I’m talking about are moments when characters in otherwise non-musical movies have some sort of musical performance/dance number/song that resolves their issues, expresses their feelings, or advances the plot in a way that’s unique compared to the rest of the film, and is often unexpected or completely surprising. Here are some examples of what I mean: Continue reading