In Mad Max: Fury Road, Max drives a tanker truck through a desert wasteland in order to help rescue a group of women from the psychotic warlord who is pursuing them.  That’s pretty much the entire plot of Fury Road, but it fails to capture the essence of what is one of the most intense, full-throttle, and absolutely insane action films of all time.  But to reduce Fury Road by calling it an “action movie” is to ignore the craftsmanship, storytelling mastery, and the scale of what had to go into this film.  Writer/Director George Miller has returned to his original creation 30 years after Max was last seen on the big screen and has managed to build something that feels unlike anything we’ve seen before, yet entirely at home in the universe of Mad Max combining elements of all three previous films.  On the one hand, Fury Road defies description; it’s the sort of film that must simply be experienced, preferably on the big screen.  But on the other hand, it also provides so much to talk about, from its strong feminist tendencies to its impeccable stuntwork to its brilliantly crafted visuals to its surprisingly clever storytelling.  Fury Road is simply one of a kind.

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