Analysis: Is there a feminist interpretation of “Cinderella”?

Cinderella has generally received good reviews (currently at 84% on Rotten Tomatoes), but it’s had its fair share of detractors, particularly when it comes to how the film relates to feminism.  I consider myself a feminist, as equality for women is one of my core beliefs and goals, so I’ve found myself in the week after seeing Cinderella asking a question: “Is there a feminist interpretation of Cinderella?”  Many people probably already have an answer to that question, formed without having seen the movie.  Some will answer, “No, of course there isn’t,” as everyone knows the story and most of us have seen the 1950 Disney animated version and can base an opinion from that.  Others will answer, “Who cares?” either because they’re not interested in feminism, or they actually dislike feminist ideas entirely.  This article isn’t for them, but it’s for people like me, who passionately support feminism but who also loved Cinderella.  The question is whether we can reconcile these two, seemingly mutually exclusive, views.

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Review: Cinderella

I wasn’t entirely sure what to expect from Disney’s new live-action version of Cinderella, and I even had some doubts about how it might turn out (and I am definitely not the doubting sort).  With Maleficent, it was clear from the outset that we would be seeing a familiar tale retold from the villain’s point of view, and this focus allowed the cast and crew to breathe new life into a well-known story.  Cinderella, on the other hand, presented itself as a straight-forward adaptation, and I was worried that it would either feel dull or unnecessary as a result, with nothing new to bring to the conversation.  (In the spirit of full disclosure, Cinderella was always my least favorite of the classic Disney princess films.)  Could Cinderella find a way to be engaging and feel fresh despite its old-fashioned approach?  In the end I was wrong to doubt, because Cinderella succeeds not in spite of its old-fashioned approach, but because of it.

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Tonight’s Movie: Ratatouille

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Review: Frozen Fever

Given the phenomenal level of success enjoyed by Frozen, a follow-up of some sort was inevitable.  And while a full sequel was recently announced by the Frozen’s creators, we already have a sequel-of-sorts in Frozen Fever, the new animated short showing before Cinderella.  The seven-minute short reassembles the team behind Frozen, including the directors, cast, and songwriters, to deliver a fun update to what Arendelle’s queen and princess have been up to now that Elsa’s ice has thawed.

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Today’s Movie: Cinderella

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What if there was a Best Voice Performance Oscar? – 2006

(Note: This is a fictional creative thinking exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards.  I’ll cover the hypothetical nominees and winner from one year of animated performances.)

Enthusiasm for voice acting was high following the 78th Academy Awards, which presented the most diverse slate of nominees the category had ever seen, ending in a win for a widely respected performer on his third nomination.  The return of Pixar to the fray with Cars, starring 10-time Oscar nominee Paul Newman helped lend some star power and prestige to the race, while two roles in the same film from Robin Williams assured his presence in any debate about potential nominees.  However with every two steps forward comes another step backwards, and when the nominees were announced they were met with a combination of shock, confusion, and in some cases outrage and the bizarre choices, once again bringing the category’s very existence into question.

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Tonight’s Movie: Oz the Great and Powerful

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Today’s Movie: Toy Story 3

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Today’s Movie: Big Hero 6

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Tonight’s Movie: Toy Story 2

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