A Few Words About Piracy

No, not this kind of piracy.

No, not this kind of piracy.

For those not familiar with WordPress, the site tracks a variety of stats for my blog, including what search terms led people here.  After a few months on WordPress, I’ve realized that having the word “Pirate” in my movie-related blog title leads some people here who might be searching for pirated movies.  I get a lot of searches like “iron man 3 pirate” or “life of pi from the pirate way,” presumably a misspelling of The Pirate Bay, the popular torrent site.  (I also randomly get people who click over to my Tomb Raider videogame review, looking for a walkthrough of the pirate ship section of the game.  To those people I apologize, and recommend they check IGN.)  So with the number of people who come looking for pirated movies, I feel like I should tell you: I am strongly opposed to media piracy.

I know many people who regularly pirate movies and tv shows. Continue reading

Friday Favorites: Favorite Song – Muppet Treasure Island

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.

The Muppets were an important part of my youth, as was Jim Henson’s work in general.  Sesame Street taught me to learn and to love learning.  Fraggle Rock taught me about how to relate to the people around me in love and harmony.  But the Muppets were maybe the most important, because they taught me to be different, and to love that I’m different.  So it makes sense that the Muppets would be the ones to make my theme song:

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What’s your favorite movie?

If I were to ask you to name your favorite movie, would that be easy for you to do?  I feel like for the general populace, the answer is either easy, or “I don’t know.”  But for a film buff the answer becomes a lot more difficult.  At least, it does for me.  I tend to change my answer depending on a number of factors, including the identity of the questioner, the way the question was phrased, and who the audience is.  Here are some of my favorites, and why I will sometimes give them as my “favorite movie.”

If I’m in a situation where I’m being completely honest, my answer is usually that Hook is my favorite film.  It’s my de facto favorite movie, as it were.  It’s the movie that means the most to me, and that I connect with in a way that surpasses all others.  I think it’s a brilliant and remarkable movie, with some of the best sets ever created for the screen.  I could (and probably will) write an essay about Hook’s brilliance, but I’ll save that for another time.  I feel like Hook has been unfairly maligned through the years (it has a 29% on Rotten Tomatoes), though it does have a cult following.  Even Spielberg has said critical things of it.  I’m pretty defensive when it comes to Hook, because it does mean so much to me, so I often will name something else if I feel like there’s going to be an argument about it.  On the other hand, I like defying expectations, and for a film buff to pick a critical flop from the 90’s as his favorite film often surprises people.  I give this answer a lot when people who know that I’m a film buff ask me the question.  But it is, in fact, my favorite film, even if it’s not always my answer. Continue reading

Trailer Tuesday Update: Marvel’s Agents of S.H.I.E.L.D.

Update:  So a new S.H.I.E.L.D. trailer is out, this one giving us a much better glimpse at the new series (which will be airing on ABC this fall at 8PM on Tuesday nights).  Take a look and read on for my updated thoughts (you can see the previous trailer here):

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Trailer Tuesday: Marvel’s Agents of S.H.I.E.L.D.

Welcome to “Trailer Tuesday” where I talk about trailers for upcoming movies, since I’ve always found them to be endlessly fascinating.

(Update: A new trailer has been released and you can read my thoughts on it here.)  Yes, I realize that Marvel’s Agents of S.H.I.E.L.D. is not a movie and that this is not technically a trailer.  But too bad, because I could not be more excited about S.H.I.E.L.D., the expansion of the Marvel Cinematic Universe which continues the story from The Avengers and is being overseen by the incomparable Joss Whedon.  Take a look: Continue reading

Review: The Great Gatsby

I feel like most people’s ability to enjoy The Great Gatsby will depend on how they respond to Baz Luhrmann’s style as a director.  In the interest of full disclosure I should say that I’m a huge Luhrmann fan (I even loved Australia), and I think he was the perfect choice to direct the first truly great adaptation of The Great Gatsby.  He manages to capture the feeling of the book and to make the story compelling in a way that the last attempt at adapting the book, in 1974, failed to do, despite its stellar cast.

Most people are probably familiar with the story, from either high-school or middle-school English classes. Continue reading

Analysis: My Dinner with Andre

*Author’s Note:  This is a rather long essay about a movie most people have never seen.  It’s more my unfiltered and unedited stream-of-consciousness analysis than it is a well-researched piece of film criticism.  The movie has lots of interesting things to say, and it’s worth a watch.  You can also read a transcript of it here.

The first time I watched My Dinner with Andre, at the recommendation of my father, I fell asleep five minutes in and slept for the entire film.  The film is often known as “that movie where two guys sit and talk for two hours,” which is both 100% accurate and entirely misleading.  The second time I watched it, again with my father, I was completely spellbound, and it has since been one of my favorites.  My Dinner with Andre is one of those movies where you get out of it as much as you’re willing to put into it, much like any good conversation, and these are my thoughts on it.  (Spoiler alert for a 30 year old movie?) Continue reading

Friday Favorites: Favorite Scene – Star Trek II: The Wrath of Khan

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.

In this week’s “Trailer Tuesday” for Star Trek Into Darkness I talked about how, as a Trekkie, I’m not a fan of 2009’s Star Trek.  In particular I hated its depiction of Kirk’s Kobayashi Maru test, so today I thought I’d highlight my favorite scene from Star Trek II: The Wrath of Khan, where a middle-aged Kirk describes his solution to the test.

Wrath of Khan opens with Lt Saavik (Kirstie Alley) commanding the Enterprise when it receives a distress call from the Neutral Zone from the stranded freighter, Kobayashi Maru.  Saavik violates the Neutral Zone to rescue the ship, but the Enterprise is attacked and defeated by Klingon Battle Cruisers and Admiral Kirk emerges to tell Saavik she is dead.  He explains that the test is designed to be unwinnable in order to study how potential captains face death and a no-win scenario.

She repeatedly asks Kirk how he handled the test when he was in Starfleet, and each time he evades the question.  Eventually Kirk, McCoy, Saavik, Chekhov, Kirk’s son and his former lover are all trapped in an experimental cave deep within a moon, the Enterprise having abandoned them on Kirk’s orders.  Saavik asks Kirk again about his test, and here is his reply: Continue reading

Review: Oblivion

I wish Hollywood would make more movies like Oblivion.  That’s not to say that Oblivion is great, but just that it’s the sort of film that feels like it has been abandoned lately.  The current state of the science fiction film genre consists of either indie dramas like Moon or Another Earth, or big budget spectacles that turn out to be pretentious messes like Prometheus or Inception, with a special category set aside for superhero movies.  (One of the few exceptions is Super 8.)  However, Oblivion is the sort of sci-fi movie I love.  It’s got an interesting plot and setting, great effects, a good cast and stellar visuals.  It may fail somewhat on the execution, but I have to give them full credit for the attempt.

We’re told it’s 2077, approximately 60 years after Earth was attacked by aliens. Continue reading

In Memoriam: Ray Harryhausen

Every movie fan is sad today at the loss of Ray Harryhausen at age 92.  Born in 1920, his first job in Hollywood was working on Mighty Joe Young for Willis O’Brien, the pioneer of stop-motion animation whose work in King Kong inspired Harryhausen to follow in his footsteps.  That successful beginning launched a decades-long career as one of the leading visual effects masters in Hollywood.

Despite never winning, or even being nominated for, a competitive Oscar, Harryhausen left a lasting mark on the visual effects industry.  His style and creativity helped inspire a generation of filmmakers, including legends like Spielberg, Lucas, Burton and Cameron.  Harryhausen’s ability started to truly blossom with The 7th Voyage of Sinbad and its two sequels in the 50s and 60s, but continued all the way until his last movie in 1981, Clash of the Titans.  By that point, fantasy films were dying out (until Lord of the Rings revived them in the 2000’s), replaced by science fiction as the popular spectacle movie genre.

Harryhausen’s last film was released before I was born, and I grew up as a member of the Jurassic Park generation of special effects, but his films are still impressive today, especially my favorite, Jason and the Argonauts. Continue reading