Quote of the Day

Buffy the Vampire Slayer, Season 4: Episode 8 – “Pangs”

Spike: A bear!  You made a bear!

Buffy: I didn’t mean to!

Spike: Undo it!  Undo it!

Firefly/Serenity Cross-Stitch

Serenity Cross Stitch

Generally speaking, I’m not big into arts and crafts.  Writing is my creative outlet, and my hands shake too much for most kinds of artwork.  However, cross-stitch is something I can do, and it’s something relaxing and fun that can be done while watching a movie or TV show in the evenings.  However, I often get bored with most cross-stitch designs, because there’s not a lot out there that interests me.  So I set out to see if I could find one based on the TV show Firefly.  (I previously did one based on the Dick Tracy poster, which I might post sometime in the future.) Continue reading

This is not the Joss Whedon article I intended to write…

I had every intention of writing an article exploring Joss Whedon’s treatment of sex in his various works, and then I started doing some research online.  When I write articles like the one I was envisioning, I worry about unintentionally copying someone else’s ideas, so do a bit of searching to make sure that I still have something new to say.  Sometimes I find that someone else has put out an essay that says exactly what I wanted, only better, and I’ll simply abandon my idea.  Other times, I’ll find an article arguing the opposite of what I want to say, but in a way that allows me to write my opinions as a rebuttal (this worked really well for my Star Wars prequel analysis).  It’s important to read a variety of opinions, because challenging ourselves is the best way to grow, both as a writer/blogger and as a person.

But something different happened to me when I started searching for articles about Joss Whedon and sex.  I still have a lot to say, and maybe I’ll write that analysis soon, but for the moment I’m giving up on it.   Continue reading

In Memoriam: Cory Monteith

 

In the face of Cory Monteith’s tragic death Saturday, at age 31, from as-yet-unknown causes, I find myself revisiting my first experience with Glee.  I read a lot about the show during its first 13 episode run but never tuned in, despite it seeming right up my alley (as a big fan of musicals).  I think I was just turned off by the excessive praise it was getting, as I tend to be wary of anything that seems to inspire unanimous opinions.  But I was curious so I checked out the pilot episode online during the show’s midseason hiatus and I was sold.  I ran out and bought the first half of season one on DVD, and my wife and I started to watch it over the course of a couple of days.  One night, 2 episodes before the midseason finale, we decided to head to bed around midnight.  But we both lay there for a while, unable to sleep, until we decided we just had to finish the show.  We returned to the living room and watched the rest of the episodes, even if it meant we were up until 2am or later.  That’s the sort of feeling that Glee inspires in people.

Cory Monteith was of course a big part of that. Continue reading

Friday Favorites: Favorite Moment – High School Musical

Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.

High School Musical is the sort of film that feels like it was made just for me.  I’m sure everyone has a couple of those, that feel like the opening credits should contain the words “This one’s for you!”  When I first saw it I was living alone in California, and at the time I watched a lot of the Disney Channel.  I would always catch pieces of it, previews for it, or song clips from it, but it was almost a year after it premiered before I finally caught it in its entirety, and I was immediately sucked in.  (I went out the next day, bought the DVD, and watched it two more times that night.)

It was the opening song that caught my attention, but what cemented the movie in my brain was the character of Kelsi. Continue reading

Review: Revolution – Season 1

Revolution just finished its freshman season, and I think it’s fair to say it was a bit of a mess, but a mess with potential.  Created by Eric Kripke (Supernatural), Revolution tells the story of what would happen to the world if all electrical devices stopped working.  The series takes place 15 years after the blackout, and gives us a somewhat different take on the standard post-apocalyptic world.  The first season followed the adventures of the Matheson family, first in their quest to rescue one of their members, and then in a quest to restore the power.  Season 1 almost felt like two, shorter seasons, due to an unusually long break between the fall and the spring episodes, and this aspect both helped and hurt the show.

Revolution gave us a world without power, but more specifically gave us a world far removed from power. Continue reading

Trailer Tuesday Update: Marvel’s Agents of S.H.I.E.L.D.

Update:  So a new S.H.I.E.L.D. trailer is out, this one giving us a much better glimpse at the new series (which will be airing on ABC this fall at 8PM on Tuesday nights).  Take a look and read on for my updated thoughts (you can see the previous trailer here):

Continue reading

Trailer Tuesday: Marvel’s Agents of S.H.I.E.L.D.

Welcome to “Trailer Tuesday” where I talk about trailers for upcoming movies, since I’ve always found them to be endlessly fascinating.

(Update: A new trailer has been released and you can read my thoughts on it here.)  Yes, I realize that Marvel’s Agents of S.H.I.E.L.D. is not a movie and that this is not technically a trailer.  But too bad, because I could not be more excited about S.H.I.E.L.D., the expansion of the Marvel Cinematic Universe which continues the story from The Avengers and is being overseen by the incomparable Joss Whedon.  Take a look: Continue reading

Glee Recap: “The Substitute”

The mark of whether a TV guest star was a success or a failure is whether you would want to see them return. I guess we have to assume Gwyneth Paltrow was a success, because I hope we haven’t seen the last of Holly Holliday. Paltrow was a breath of fresh air in what has shaped up to be a somewhat intense season (bullies, religion, heart attacks… and that’s just Kurt’s storyline). She was charming and fun, and most importantly she seemed like she really wanted to be there. From jokes about hoarders and Lindsay Lohan to her blunt way of handling her students to some dynamite show-stoppers, she really upped the energy level of Glee (and the New Directions kids). Continue reading

How to tell a story

With the new season of Lost beginning on Wednesday, I thought I’d share some thoughts on Lost, what makes a TV show good, and how different tactics by producers and writers can lead to different, but equally worthwhile results.

The Lost Experience recently ended, and I vowed to watch all of the first two seasons of Lost on DVD before the new season starts. Having failed at that (only got through about 10 episodes) I returned to my normal DVD routine, watching Star Trek: The Next Generation. I own all seven seasons of ST:TNG on DVD and am about halfway through season five. After I switched to watching Lost and then back, I realized how remarkably different the two shows are, and yet how good they both are, despite their differences. Let me preface this by saying that I think ST:TNG is the greatest show in the history of television, and too bad if you don’t agree. It is iconic, deep, resonant, emotional, insightful, and has more of a legacy than even the original had.

The format of the two shows is very different. ST:TNG tells a unique story with each episodes, and while there are overlying themes and stories, it is easy to simply tune in and watch an episode, because for the most part, they stand alone and are not parts of a whole. Lost, on the other hand, has a continuous story, which means that it is difficult to understand what is going on if you miss an episode. Paradoxically, considering the number of episodes, not as much has happened on Lost as happened in the first two seasons of ST:TNG. Sure, lots of things have been discovered on Lost’s island (am I the only one that think the island needs a name?), but only a few major events have happened.

The explanation for this delves even deeper into the methods of storytelling employed by the two shows. Lost uses characters to show you the story, ST:TNG uses story to show you the characters. On Lost, the majority of the episodes are spent learning more about particular characters, either by flashbacks of their past which are used to explain their present, or by situations or relationships they encounter in the present that show and test who they truly are. Much of the information about characters is revealed either through exposition, or through choices and decisions the characters must make, directly involving us in each character.

ST:TNG is the exact opposite. Sure, there were episodes that focused around individual characters, but where we learned from the most was the way each character acted with respect to the story being told in each particular episode. By making the stories the focus of the show, it allowed the actors to develop their characters more naturally. You learned about each one the way you would learn about anyone in real life, by the way they react in certain situations, with small glimpses into their personal lives: as friends, rather than as observers.

In Lost, we are shown a character, given information from a God-like perspective, where we can see all that is going on, and shown the type of development or traits that the writers want us to see. This allows a deep look into a particular character, almost like dissecting a frog in science class. It makes you try to fully understand each character, and why they act the way they do. In ST:TNG, you also have the pleasure of learning how the frog works, not by cutting it open, but by observing and interacting with it, and appreciating it for its whole, rather than the sum of what you are shown.

Many people look at Star Trek (all versions) characters as easiest terms, the most simple definitions (see The Breakfast Club): the android who wants to be human, the blind engineer, the empathic counselor, the doctor and her son, the Klingon. Lost has similar stereotypes, as pointed out by Sawyer in season one, and the majority of the character development is spent trying to get you to look past all that to see the people inside, and try to get to you to relate. Star Trek shows you the characters, and lets you learn from them. Instead of relating (because it is impossible to completely relate to one character, since we are combinations of all), we get to experience and consider how we would react in a situation, and we learn something about ourselves. Data is the best example, and this is why he is the greatest television character in history. His endless quest to be human, and to understand humans, led us not to a deeper understanding of Data, but a deeper understanding of ourselves. We didn’t relate to him as he tried to understand why we act a certain way, but his quest for understanding showed us why we do. And that, my friends, is what made Data more human than any of us.

P.S. I think many great lessons about ourselves can be learned from Lost too, and many great discussions about life and characters and all the good juicy stuff can come from Lost. I just think that the interesting bits of Lost come from analyzing the characters, while the interesting bits from Star Trek come from analyzing ourselves.