Analysis: Into the Woods – Why do people not understand musicals?

Into the Woods - "On the Steps of the Palace"

I rarely pay much attention to those around me in a movie theater.  We all have experienced a myriad of awful behavior from both adults and children, and it’s driven some people to stay home and simply watch movies on Netflix (or pirate them), but I’ve mostly learned to tune them out.  There are exceptions, when I want to see how people react to a particular moment in a film I’ve seen before, but mostly I ignore people rudely talking or checking their cell phones and such.  However, I started to notice an interesting trend during Into the Woods that brought a lot of questions to my mind, particularly as it pertains to the state of musical films in today’s pop culture landscape.  And it all made me wonder whether movie musicals will ever be popular enough again to have a regular place at the table of major film genres, and why, exactly, people stopped loving musicals.

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Review: Into the Woods

The production of Into the Woods has been a series of ups and downs for theatre fans around the world.  The film’s mere existence is worthy of excitement, but the presence of Disney overseeing the relatively mature Stephen Sondheim musical was cause for concern.  Sondheim’s involvement (along with the original show writer James Lapine) allayed some fears, but his interviews caused a lot of confusion about what changes had been made, what songs had been cut, and how “family friendly” the film had been made.  The A-list cast and director Rob Marshall brought some Hollywood glamor to the movie, and all that remained was to wait and see how it turned out.  The end result is a fairly faithful, extremely well made adaptation of a musical that is perhaps better suited for stage rather than screen.

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Today’s Movie: Into the Woods

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Today’s Movie: The Muppet Christmas Carol

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Tonight’s Movie: Frozen

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Tonight’s Show: Beauty and the Beast

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Trailer Friday: Star Wars: The Force Awakens

Star Wars: The Force Awakens Logo

I have vivid memories of seeing the trailer for The Phantom Menace for the first time, and dissolving into a puddle of tears and emotion.  Of course, it was 1998, so it was on the big screen instead of on my phone, but the new trailer for Star Wars: Episode VII – The Force Awakens still had the same effect all these years later.  You can see the trailer on the big screen this weekend in front of any movie at 30 select theaters across the country, or you can see it right now right here.  Check it out below and read on for my thoughts and analysis.

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Review: Big Hero 6

At this point it’s pretty safe to say that the Disney Revival is now in full swing.  The era which began with either Bolt or The Princess and the Frog depending on your tastes, and which so far seems to mirror the trajectory of the Disney Renaissance in the 1990’s, has seen Disney producing some seriously outstanding films in the last few years.  Tangled is an underrated masterpiece, Wreck-It Ralph is a creative, kinetic marvel, and Frozen has reached the point where it no longer requires description.  Big Hero 6 represents not just the next big step for Disney Animation, but also the first attempt by Disney at creating its own Marvel-based content outside of the wildly successful Marvel Cinematic Universe.  And while Big Hero 6 could never hope to live up to something like Frozen, it’s still wildly entertaining and enjoyable in its own right, and another solid rung in the Disney Revival ladder.

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Tonight’s Movie: The Little Mermaid

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Review: Feast

I’m definitely a fan of the recent resurgence of animated shorts preceding feature films.  It harkens back to an earlier time when cartoons and news reels were a part of the cinema experience (though I hope they don’t bring back news reels!).  Pixar, of course, has always had a short attached to each of their new releases, but Disney Animation has gotten back in the game for their last three movies and the results have been impressive.  Paperman (which aired before Wreck-It Ralph) is nothing less than a masterpiece, while Get a Horse! (attached to Frozen) was a fun, creative use of 3D that captured a bit of that historical Disney magic.  The recent debut of Big Hero 6 brought with it a new short, Feast, that serves both purposes of an animated short: it serves an hors d’oeuvre for the main film while also telling an endearing and entertaining story of its own.

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