Today Disney released the first full trailer for The BFG, directed by Steven Spielberg and based on the book by Roald Dahl. I hope to have a longer breakdown of the trailer later this week, but for now take a look below and let me know what you think. I’m personally thrilled that Spielberg and Disney are finally teaming up on a film, and I’m excited to see Spielberg returning to animation (even if The BFG is not fully animated). I loved what he brought to The Adventures of Tintin: The Secret of the Unicorn, which felt 100% like a Spielberg movie while still capturing the essence of what makes animation special. The BFG will feature a lot of motion capture, including new Oscar winner Mark Rylance (from Spielberg’s previous film, Bridge of Spies) as the titular character, but it appears that Ruby Barnhill’s performance as Sophie will be live action. The BFG is one of the few Roald Dahl books I haven’t read, so I can’t speak to the film’s faithfulness in adapting the original story, but Spielberg is my favorite director and I have faith in his ability to craft a compelling story. And it’s nice to see him return to family movies every now and then. But take a look at the trailer and let me know what you think, and hopefully I’ll be back to talk about it some more later in the week complete with screencaps!
When is a spy movie not a spy movie? Bridge of Spies has all of the trappings of a spy movie, espionage, hidden communications, interrogations, secret identities, a race against the clock, and worldwide consequences hanging in the balance, but it’s as far from a “spy movie” as you can get. Instead, Bridge of Spies is a film about spies. Steven Spielberg has teamed up once again with Tom Hanks (with a script by the Coen brothers) bring us a true story from the height of the Cold War, a story of subtle legal and political maneuvering with the fate of not only two spies but two nations hanging in the balance. The result is a tense, thrilling, yet beautifully quiet film that focuses on the human element of international espionage, and the way the lives of those who only wish to serve their country are used or discarded as situations change.
Welcome to “Friday Favorites” which highlight some of my favorite movie-related things.
I haven’t done a Friday Favorite in a while, mostly because no one reads them, but I felt in the mood to revive it for at least one more week. I was recently listening to one of the Thrilling Adventure Hour podcasts which parodied sections of Jaws, and like most references to my favorite films it triggered a lot of emotions and memories about the classic 1975 film. Jaws is truly a masterpiece, far more than just its legacy of propelling Steven Spielberg to the big time and creating the modern idea of a summer blockbuster. Some highlights of the film are obvious, from John Williams’ iconic score, to Spielberg’s Hitchcockian vision for the film, to some of the all-time best scares, to lines like “You’re gonna need a bigger boat.” Other things are more subtle, like the genius editing by Verna Fields who does some truly creative things to build tension, or the script’s ability to make a film about a killer shark with the film’s real villain being the town’s mayor. For me, however, the best part of the film might be this: