Review: Wonder Woman

I almost never root for a movie to fail with critics or at the box office. Hundreds of people work on movies, and regardless of my personal tastes or filmmaking trends I would like to see come to an end I wouldn’t wish failure on all of the artists involved in creating a film. On the other hand, I occasionally find myself rooting for a film to succeed, sometimes even in spite of my own feelings about the film itself, because that film’s success might have a positive impact on the film industry or the world as a whole. And so, I find myself absolutely thrilled with Wonder Woman’s reception, both its strong showing at the box office and it’s nearly universal praise among critics and audiences. The feminist in me knows what it means for a studio to release a big budget superhero film with a female director and have it be such a smash hit, and the film fan in me loves that the DC Universe has finally found some heart and joy after their recent misfires. Having said all of that, while I may be wholeheartedly cheering for Wonder Woman, and while I think it is an excellent film, it didn’t resonate with me as fully as I had hoped.

Some Mild Spoilers Below

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