Analysis: Argo and Filmmakers’ Responsibility

Even before Argo won the Academy Award for Best Picture, Hollywood’s top honor, it was already being plagued by controversy.  (Nevermind the fact that every other nominee was controversial in some way: Lincoln got easy facts wrong, Silver Linings Playbook mishandled mental illness, Beasts of the Southern Wild romanticized poverty, Zero Dark Thirty lied about torture’s effectiveness, Django Unchained was racist and used the n-word too much, Russell Crowe’s singing was horrible in Les Miserables, Life of Pi misrepresented Indians and religion, and Amour advocates assisted suicide and wasn’t even in English!)  It’s nothing unusual for films to encounter controversy, or even to court it, but the debates this year about facts and politics in film have raised questions (none of them new) about the responsibility of filmmakers to the audience.
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