(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years. This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64th Academy Awards. Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)
Following Robin Williams’ win of the first ever Best Voice Performance Oscar for his role as The Genie inAladdin, industry experts began looking ahead at 1993’s slate of animated films, trying to anticipate who the next winner might be. Both the experts and the Academy were more than a little dismayed to find that not only was Disney not releasing a classically styled animated films along the lines of Beauty and the Beastand Aladdin, but that there were very few animated films lined up for the year at all. There were calls from opponents to drop the category entirely, while even some supporters of the award thought it might be best to hold the award back and only bring it out on years with better prospects. Nevertheless, the Academy decided to press on with the award as an accepted part of the ceremony, not knowing exactly what the nominations would bring. Continue reading →
