Beasts of the Southern Wild is the sort of film that defies classification or description, by nature of its inherent simplicity and the complexity of interpretation. It’s nominally the story of a girl whose community is devastated by a hurricane, but that’s merely the surface. Beasts of the Southern Wild is one part environmental fable, one part coming of age story (maybe), one part morality tale about the links of the universe, and possibly many more things, all wrapped around one truly remarkable and unique performance.
Tag Archives: Movie Reviews
Review: Les Miserables
Adapting a stage musical into a film has proven to been a dicey proposition in the years since Chicago burst onto the scene in 2002. Unlike original musicals (such as Moulin Rouge!, Enchanted, or even The Muppets), adaptations bring with them a lot of baggage and expectations. The especially long-running and popular shows have legions of devoted fans, who need to be pleased in order to help spread the word, however their expectations must be balanced with making the film appeal to the general populace (which, unfortunately, now seems to take pleasure in disliking musicals by default). It’s possible for a film to be too faithful (The Producers) and alienate Broadway purists, or go so far the other way as to lose all sense of their source (Rock of Ages). Equally important to the faithfulness of the adaptation is how well the film captures the spirit of the source; a film can be incredibly faithful but still miss the mark (The Phantom of the Opera) or can play things loose with the source and still manage to capture the spark (the brilliant, Mamma Mia!). Then there’s the issue of running time and the filmmakers who assume that audiences no longer have the patience to sit through 3 hours of singing, so the entire film feels rushed (Hairspray). And even if you do everything right, or at least as right as possible, there’s still no guarantee that your film will find an audience (Rent). Continue reading
Review: Django Unchained
Quentin Tarantino’s newest film, Django Unchained, has been billed and advertised as a Western, but that’s not entirely accurate. It has horses and gunfights and a Sam Peckinpah mixed with Sergio Leone style, but it’s not really a Western. For one thing, it takes place in the South, from Texas to Mississippi to Tennessee. For another, it’s really a slavery revenge story. And though it was generally enjoyable, it made me wish that Tarantino had chosen to make a true Western, if only to show what he could really do by sticking to the genre. Continue reading
Review: The Hobbit: An Unexpected Journey
“The Hobbit” was my favorite book when I was in elementary school. I read it many times, equally enjoying the adventure story and the british humor and style of the book. I didn’t read “The Lord of the Rings” until high school, once I had heard they were turning them into movies. At the time I was surprised they weren’t starting with “The Hobbit”, but after seeing Fellowship of the Ring I was completely sold on their method. “The Lord of the Rings” is more epic and adult than “The Hobbit” and the success of those films clearly shows that they made the right choice.
Review: Lincoln
Review: Skyfall
Skyfall, the 23rd James Bond movie celebrating the 50th anniversary of the release of Dr. No, is a bit of an oddity. It’s certainly enjoyable, but it’s also very different. It signifies a bit of a clean slate for the series, it has a unique villain, and it deals with some interesting questions about Bond’s place in the world (and, by extension, the relevance of James Bond movies in our current times). It contains the same globe hopping, martini drinking, explosion filled extravaganza we expect from Bond, but the last half hour contains something completely new.
Review: Wreck-It Ralph
Have you ever felt like no one appreciates you? Have you ever felt like you don’t fit in, or that you don’t have a place in the world? Try this one: are you tired of being repeatedly thrown off a roof by an angry mob while your opponent always gets a medal? Ralph is. For the last 30 years, Ralph has been destroying an apartment building as the villain of Fix-It Felix, Jr., a videogame in an arcade. Every morning he gets up from the pile of rubble in which he sleeps, climbs to the top of the building and destroys it, hurling wreckage down at Felix, who repairs the building. The inhabitants of the building cheer Felix on, baking him pies, and when Felix finally gets to the top the people throw Ralph off the building into the mud. He’s done this over and over again, every day for 30 years. Continue reading
Review: Frankenweenie
How often have we seen the story of a boy and his dog? And more importantly, how well do we know the ending? From Old Yeller to Marley & Me, we know that, nine times out of ten, a boy and his dog story will end with the death of the dog. But, in Frankenweenie, the death of the dog is just the beginning. Continue reading
Review: Argo
The date is November 4th, 1979, and the US Embassy in Tehran, Iran is surrounded by Islamist students and militants. The Ayatollah had assumed power earlier that year as a result of the Iranian Revolution, deposing the Shah, who had been installed in 1953 as part of US backed military coup. The Shah fled to the US, where he was being given medical treatment for cancer. As the protesters outside compound grow in numbers, volume and anger, one man cautiously climbs over the fence and onto American soil. He is followed by another, and another, and then the chains on the gate are cut, and the entire crowd swarms in. The US soldiers stationed inside the embassy eventually stand down, not wanting to fire into the civilians and cause a bigger incident. Eventually 52 American embassy workers are captured, and will remain hostages for 444 days, in what will become one of the defining moments in US-Iran relations. But what the Iranians didn’t know, was that six Americans escaped, and are on the run. Continue reading
Review: Pitch Perfect
Beca (Anna Kendrick) is starting her first year at Barden College with a free ride because her father is a professor there. The only problem is, she doesn’t want to go to college. Beca would rather be going to LA to become a music producer. She spends every spare moment (even in the cab she took from home to avoid interacting with her father) on her laptop, creating mash-ups and musical creations, her real joy in life. She has an awkward first meeting with her roommate, she scoffs condescendingly at the goofy people she encounters around campus (especially the cute guy who sings at her out the window of a car), and her embarrassing dad is insisting that if she gives college a try and doesn’t like it he will pay for her to move to LA. This would typically be the start of a typical college movie about romance, parties, friends, and finding your place. But Pitch Perfect has something different going for it. You see… Beca is a nerd.