Analysis: Saving Mr. Banks and Disney Ideology

Saving Mr. Banks is an interesting film, and one that’s deeper than it may appear at first glance.  The story of P. L. Travers and Walt Disney and the making of the 1964 film Mary Poppins is used as a way to examine how we deal with the harsh realities of the world in which we live and also what responsibilities we have towards preparing children for those realities.  It examines how the events of our youth shape our lives as adults and presents some of the choices we can make about how to live our lives.  It offers a critique of the pre-judgments that people have a tendency to make, particularly as it pertains to Disney as a man, a company, a brand and an ideology.  It defends that ideology specifically, without invalidating other methods of thought.  And it has done all of this while facing some surprisingly harsh criticism and claims that the film is nothing but propaganda.  I feel like that makes it ripe for some analysis.  (Spoilers Below!)

*Disclaimer:  For those who regularly read this blog, it’s fairly obvious that I’m a Disney fanatic.  I’m a stock-owning, fanclub-card-carrying, happy-to-take-every-vacation-to-the-parks obsessive.  I seek out every Disney experience I can find, but more than that I buy into the ideology.  Whether that makes me a mindless drone or a corporate stooge (I promise I’m not getting paid by Disney, though I’d love to be) is for someone else to decide.  The short of it is that I am in no way unbiased when it comes to Disney, and I’ve defended the company before.  And while it hurts whenever something we love is criticized, my goal here is not for this to simply be one more “Disney is awesome and how dare you say otherwise!” post, but instead an examination of the film and what it has to say about varying worldviews and the Disney ideology in particular.  Take from it what you will.  You can read my review of the film here.

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Quote of the Day

The door of the pub had opened.  A thick band of dusty sunlight split the room in two for a moment and then vanished, blocked by the incoming rush of a crowd of people.

First came Neville with Dean and Lavender, who were closely followed by Parvati and Padma Patil with (Harry’s stomach did a back flip) Cho and one of her usually giggling girlfriends, then (on her own and looking so dream that she might have walked in by accident) Luna Lovegood; then Katie Bell, Alicia Spinnet, and Angelina Johnson, Colin and Dennis Creevey, Ernie Macmillan, Justin Finch-Fletchley, Hannah Abbot, and a Hufflepuff girl with a long plait down her back whose name Harry did not know; three Ravenclaw boys he was pretty sure were called Anthony Goldstein, Michael Corner, and Terry Boot; Ginny, followed by a tall skinny blonde boy with an upturned nose whom Harry recognized vaguely as being a member of the Hufflepuff Quidditch team, and bringing up the rear, Fred and George Weasley with their friend Lee Jordan, all three of whom were carrying large paper bags crammed with Zonko’s merchandise.

“A couple of people?” said Harry hoarsley to Hermione.  “A couple of people?”

Harry Potter and the Order of the Phoenix – J.K. Rowling