(Note: This is a fictional creative writing exercise, inspired by hours of contemplation of which animated performances have been most worthy of attention over the years.  This feature imagines that a Best Voice Performance category was added to the Oscars following Beauty and the Beast’s nomination for Best Picture at the 64^th Academy Awards.  Each week I’ll cover the hypothetical nominees and winner from one year of animated performances.)

When Jeremy Irons won the award at the 67^th Academy Awards, the general consensus was that the category had finally produced a winner that represented the dramatic performance quality that the award had been created in order to recognize.  There was still some grumbling over the fact that the nominees were largely dominated by one film, but The Lion King had been so impressive that it was hard for people to complain too much about any of the individual nominees.  Disney was set to release another animated film in 1995, Pocahontas, based on a time period and series of events ripe for drama, and featuring the voice of Mel Gibson, who would go on to have a huge year with Braveheart.  But what no one could have predicted was Toy Story and the emergence of Pixar. Continue reading →